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But you could also start by just doing it – grabbing the proverbial bull by the horns and seeing where it drags you. There are a number of ways to improve your music publishing prowess, and being the self-serving music business weasel that I am, I’d have to suggest reading my book, Making Music Make Money, or checking out my online class, Music Publishing 101 at, as two good starting points.
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It’s always a question of how to become a better music publisher. For songwriters, it’s not a case of how to find a music publisher or how to become one. As soon as you create a song, you are not only the creator of that song, but also the publisher of it, which means you control and own the copyright. If you’re an artist or part of a band that creates your own material, then music publishing is already a part of your business, even if you don’t know it yet. Write your own songs? You’re already a music publisher If you create your own material, then music publishing is already a part of your business, even if you don’t know it yet. It is the business of turning your songwriting into income. Unlike the live performance business (“this gig doesn’t really pay, but it will be great exposure”) or the recording business (“ I know sales are weak, but we’re getting a lot of love at the blogs”), it does not suffer from mixed motives – music publishing is only intended to do one thing, and that is to turn your music into money. Music publishing is a valuable source of income primarily because making money is its only real function. But if you’re lucky, the invisible man shows up twice a year with some money you didn’t even know you earned, which makes him someone worth getting to know better. Publishing is the invisible man of the music business, quietly working behind the scenes while the show goes on elsewhere. Eric is the author of Making Music Make Money and The Billboard Guide to Writing and Producing Songs That Sell, as well as the designer of the Music Publishing 101 course for Berklee College of Music’s .įor most young bands on the early road trip to superstardom, the question of how to develop their music publishing business ranks well below “what is that funny grinding sound the van keeps making?” and “can we make it to Subway after the show?” Which is fair enough, given that few young bands understand how music publishing works, or what it can do. Guest post by Eric Beall, Vice President of A&R at Shapiro, Bernstein & Co.
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